BUS 263 Essay Example | Topics and Well Written Essays - 750 words

BUS 263 - Essay Example According to the CPSC (Murray), there is a total cost of up to $3,100 over 15 years for a table saw whose original costs may be only $100 to $300. This cost takes into account (1) direct medical costs, but more importantly (2) legal costs for the inevitable lawsuits which surface over bodily injury. What is not counted in the cost is the legal expense incurred by the manufacturers, even if they win the case. In the past, Quik-Cut could argue in personal-injury cases that its customers were using state-of-the-art technology at their own risk. In the future, the company has fewer legal arguments. Even if it chooses to offer the stop technology at an additional price, there is a risk that the jury would find Quik-Cut liable for not installing the innovation on all of its products. The president of Quik-Cut has a choice at present: embrace the technology and seek a competitive advantage for a period of time, or work with the rest of the industry to stonewall the invention, at least for a period of time. A third alternative—design around it—may or may not work. Design around It: The company would develop its own technology, but that would take time and perhaps expertise that the company doesn’t have. In addition, if a competitor introduced the technology prior to Quik-Cut bringing it to market, the company may face the same legal dilemma it faces today. Stonewall the invention. This would require that all the manufacturers—large and small—hew to the industry line. If Quik-Cut and its competitors chose not to introduce the invention, they could construct a case on technical merits illustrating why the technology was not yet ready to be implemented. The two dangers to this strategy are (1) there could be a later discovery procedure as a part of a product-liability lawsuit that could reveal the industry’s

Modern and Contemporary Asian Art Article Example | Topics and Well Written Essays - 2000 words

Modern and Contemporary Asian Art - Article Example Marko Mori was born in 1967, in Tokyo Japan. Her father was an inventor and real estate manager. On the other hand, her mother was a historian of European art. Mori started working as a fashion model in 1980 while studying at Bunka Fashion College in Tokyo. She later on moved to London to study at the Chelsea College of art and design. She studied there until 1992 when she moved to New York and took part in the independent program at the Whitney Museum of American art. Mariko currently resides in New York and Tokyo. Marko Mori was born in 1967, in Tokyo Japan. Her father was an inventor and real estate manager. On the other hand, her mother was a historian of European art. Mori started working as a fashion model in 1980 while studying at Bunka Fashion College in Tokyo. She later on moved to London to study at the Chelsea College of art and design. She studied there until 1992 when she moved to New York and took part in the independent program at the Whitney Museum of American art. Ma riko currently resides in New York and Tokyo. In 1996, Marko Mori released a video titled, link of the moon. In the video, the five aspects of humanity get clearly illustrated (Bailey 2000, p.4). These are birth, death, love, sex and beauty. The video uses DVD on five screens to display the movements involve in martial arts. In the video, Marko Mori holds a crystal ball which symbolizes transformation and transportation. There are curious passers-by who seem less concerned with Marko Mori. They pass by her. The passers-by can be symbolized in the capsule as colorful distortions. Marko Mori started her large scale self portrait in the mid 1990’s. She used multimedia techniques to establish herself with performances and videos of the traditional Japanese rituals. Her themes illustrate everything in the modern Japan while showing the trends in fashion experienced in Japan. One can hardly point out on a style used by Mori. Hers is a collection of many styles blended together. Her belief, which is neither Buddhist nor Shiro, comes out clearly in her artworks (Smith et al 2008, p.6). Her belief seems to stem from technology. Technology in some aspects can be described to be Mori’s religion. Her use of technology in an artwork is quite well blended. She manages to integrate the two, technology and art, to bring out the ideas she wants to express. In Nirvana, which got released in 1997, Mori transforms into a flying divinity. This can be said to have been borrowed from the Buddhism religion. She, however, does not recreate a symbol with this art. She rather manages to express a divinity of the future. This is the extent to which Mori manages to use technology in her artistic work (Wu et al 2010, p.1).