Paul Cezanne, Pines And Rocks Essay

capital of Minnesota Cezanne, Pines and Rocks, 1896-99 Oil on Canvas Museum of Modern Art This undecomposable characterisation of a small, intimate embellish is a good example of Paul Cezannes mastery of the impressionist style. The snap is of a rocky path, possibly a hiking mark on the side of a mountain, and a few shoetrees that veil the chuck in patches of leaves. Cezannes method of painting is rather interesting, in that he paints all(prenominal) stroke like a menage of color, creating an intersection pointping Mosaic. The palette he chose is in addition remarkable with expert, virtually cartoonish shades of key that give an underlying sense of naive realism to the painting. Looking at Cezannes stool often makes one wonder if impressionism is a study of light cosmos cheat on objects or of life being cast out from the object.The overall observe of a painting is often laid by the way each brushstroke is utilize to the canvas. Cezannes work resembles a mosaic piece, except his blocks of color are intermixed and overlap eachother. Each brushstroke rests on its own plane in the painted space, giving the painting a sense of depth ludicrous to the three-dimensional information of the trees off in the distance and the boulders on the ground. The thick, dark enlist of the trees and rocks as well as add depth to the piece, separating the shaded trail from the bright midday cast aside. Using a little imagination, one can almost pick off individual leaves from the light-green and brown patches of paint used to make for them.Cezannes choice of color is especial(a) in expressing the particular mood in a exposure, as shown in this painting. A rich blend of purples, reds, and browns in the rocks and tree trunks nicely compliments the bright blue sky and green foliage. The dull, muffle tones of the rocks give weight and gravity to the scene while the light and dark discolor seem to dance in the winds of the sky blue background. Lighting and s hadows are also well done to add the last-place touch of depth to the piece.